Talk about the material:
The eraser
to the work have to be a eraser that don’t take of the pen ink, but can’t be a
soft eraser, or would stay the pencil marks and you wouldn’t use the draw.
The pencil
had to be the hard britt HB, or you gonna damage the draw when use the eraser.
The pen you
had also to test with is proper, the ink could blot the draw when be the time
of paint the ink is wet, and also you had to wait get dry before the eraser or
you gonna have a damage cartoon.
The paper
had to have high quality or you gonna you could lose your draw in the time of the
painting or in the time of glue on acetate.
You could use a mata-borrão to see if the pen ink is dry and you also can use the finger taping the cartoon.
You could use a mata-borrão to see if the pen ink is dry and you also can use the finger taping the cartoon.
You gonna
align the cartoon in the acetate the draw gonna lose the align in the time of
the cut, so the align is in the glue moment in the acetate so you gonna make
that famous holes in the acetate and the align is in the acetate and not in the
paper.
One moment of precision cut. This is one of the worses and you do it with blade.
The draw cut and before the glue moment.
The moment of glue, remember you had to test the glue before use it or you cold lost your draw, the glue can't soak the paper.
the glued
The iluminating had to be special to don't have reflection but see the cartoon is align.
Again, already in acetate
already in acetate.
Rute Bezerra de Menezes Gondim
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