More about animation

To the scenery of the animation the techinique one that you learn is make with watercolor in patille ‘aquarela em pastilha’, but you could substitute for other art other kind of paint, is just the one method that you learn.

You do the paint like a landscape frame you don’t put characters and animals they went to be static and don’t gonna be nice in the animation.

The brush be soft make les trails in the paint.

You have to use a rough a thick paper to the water don’t clutter the paper, and if you could use this paper to do the characters animation, the problem is that the paper rough don’t gonna let you see the draw to you do the next action of animation, but if really want do in rough paper the animation you could scanner the final art in the computer and print in rough paper the draw, so you still have to do the art in the offset paper (a good one), you also could use a rough paper to do articulated puppet that you gonna animated in stop-no-motion in horizontal surface.

Have ink for child and for grownup,  in first you could use one for children, the quality is more a price question, the most expensive gonna be better, and other difference is that the ones for grownups is sometimes a little poison, the one for child could even the child eat, is not for eat, but the child would not be poison, the fact is that the art couldn’t last, the one for grownups is one that gonna hould out for centuries one that is make with child ink could with the time lost the trace and the color, but today you normally do the art and reproduce digitally by picture and by a scanner. Rute Bezerra de Menezes Gondim